SHORE

New collection of fine jewellery

 Crafted by hand in 18k gold at Rebekka Notkin Jewellery Atelier

 

SHORE is a tribute to life by the sea.

The wondrous mix of energy and slowness. And beauty. Beauty above all. The boat that elegantly cuts through the water.
The sail and the rope, bleached by the sun and hardened by the salt.The travel bag packed with hat, gold jewellery and a worn book.
The lapping of waves and shouts of joy. A game of chess in the shade to the song of the cicadas, an ice-cold drink at sunset, a close dance under the full moon.

 

 

 

I love the idea of getting on a boat on a day when the wind is perfect, the sail unfurls and the world is full of beauty. It was from that image that I created SHORE.” – Rebekka Notkin

 

SHORE is crafted by hand by Rebekka Notkin at the atelier in Bredgade, Copenhagen

SHOW ME ALL

Lucky Charm

Collection

– a playful palette of quirky figures.

 

I launched my first lucky charm, FISH,

in December 2022

It´s now time to introduce a new friend

 

BIRD

Available from 1st of February 2023

Lucky Charm

FISH & BIRD

Handcrafted in gold, Price from Kr. 6.300,-

 

“I love the value and idea of lucky charms

– they protect and bring fortune.”

Sketch for Lucky Charm FISH

Launched December 2022

 

More friends to join during the coming months…

 

 

SILVER TALES

Opening 6. October 2022

 

SILVER TALES – Karen Blixen” at Rungstedlund

Karen Blixen Museum, Rungsted Strandvej 11, Rungsted, Denmark

My Contribution to SILVER TALES, opening at Karen Blixen Museum October 2022  is ´Terrior´.  It is an interpretation of the long “pearl sautoir” Karen Blixen often wore and has become an iconic characteristic of her.

The ´Terroir´ consists of 15 unique “pearls”. Each with its own distinct fingerprint imprinted on the upper side, as if they were made of terracotta; burnt earth. The “pearls” are put together with a series of identical links, which form a slim and elegant chain.

My piece is inspired by Karen Blixen’s description of the culture and wild nature that she experienced in the highlands around the farm at Ngong in the years 1914 – 1931. She describes the colors and vegetation in the landscape around the farm as dry and burnt, like the color in a potter’s craftmanship, thus the reference to the “pearls” made in uneven shapes, which could be made of burnt earth and tied around the neck. – In the ´Terroir´ the burnt earth is refined in precious metals and with the long, slender expression that characterizes the “Charleston pearl necklaces” from the 1920s